A Special Day

Drama / Romance

164
IMDb Rating 8.1 10 11,338

Synopsis


Downloaded times
December 13, 2020

Director

Cast

Adolf Hitler as Self
John Vernon as Roger Levering
Marcello Mastroianni as Professor Sinigaglia
Sophia Loren as Lucilla
720p.BLU 1080p.BLU
978.15 MB
1280*720
Italian 2.0
NR
23.976 fps
106 min
P/S N/A / N/A
1.78 GB
1920×1080
Italian 2.0
NR
23.976 fps
106 min
P/S N/A / N/A

Movie Reviews

Reviewed by Eumenides_0 9 / 10 / 10

One of the most humane movies I've ever watched

It's debatable whether the meeting of Adolf Hitler and Benito Mussolini in Rome, in 1938, was a special day, but it was a day that changed the lives of Gabriele (Marcello Mastroianni) and Antonietta (Sophia Loren). After seeing her extended family off to the parade, Antonietta, a depressed housewife, meets Gabriele, a radio broadcaster reviled by his neighbours for being a known anti-fascist, an unusual and unpopular position in those days. Although a fascist sympathiser, Antonietta can't attend the parade because of her domestic duties; Gabriele stays home because he feels lonely in a country that considers him a criminal just for being different. In fact he feels so lonely he's about to commit suicide when Antonietta knocks on his door to ask for a strange favour. And that sets off a story about two desolate people knowing and finding emotional support in each other. A Special Day is mainly about life under fascism but it takes the unusual route of not demonizing it directly through ponderous, preachy sermons. In fact, fascism is depicted as a normal activity in the movie, and fascists as ordinary people with children, spouses, jobs, aspirations, etc, rather than monsters. The real deviant is Gabriele, an intellectual who refuses to get on with the program, not for particularly idealistic principles but for personal reasons carefully revealed throughout the movie. Antonietta's life isn't any easier just because her household is a fascist. With a husband and six children to take care of, she has given up her dreams and happiness to serve others. Barely literate, she resents the fact that her husband is cheating on her with a schoolmistress. Although living in a house full of people, her entire personality expresses as much loneliness and sadness as Gabriele's. Loren's performance is particularly remarkable for the way she tones down her legendary beauty to become a pale, weary-looking, sunken-eyed woman in her mid-forties. If there's any doubt that Loren was an excellent dramatic actress, this movie is proof. As the day marches on, they discuss what it means to be happy, tolerance, freedom and human dignity. Hope arises when Antonietta learns to respect Gabriele and his differences, in spite of everything she was taught to believe in. The movie is stagy and wordy, taking place mostly inside dingy rooms, as they move from one apartment to another and back, always having conversations in which they lay bare their deepest fears, dreams, sorrows and views about life. But Mastroianni and Loren are on hypnotic mode here, and even if the screenplay weren't outstanding already, their performances should hold any viewer's attention in thrall. Director Ettore Scola, however, is no slouch. The movie, after several minutes of original footage showing Hitler arriving in Rome, opens with a long take that lasts almost five minutes: the camera slowly moves across the façade of a building complex, enters Antonietta's apartment and follows her as she wakes up each one of her children and gets them ready for the parade. The movie was appropriately shot in a complex built in the thirties, with iron bars running along windows giving it the look of prison bars, and yellowish apartments oppressively facing each other, as if no tenant is safe from the prying eyes of neighbours. Like a stage play it may be, but the attention to atmosphere makes up for dazzling camera-work exercises. Inside, Antonietta's apartment is riddled with fascist motifs, portraits of Mussolini, banners and flags, and religious art. It's a sharp contrast to Gabriele's apartment, which shows abstract (or degenerate, as it was called at the time) art hanging on the walls, and piles of books. Their personalities are clearly delineated without waste of words. The movie tells a lot through pictures. Fascist and Nazi symbols are almost omnipresent around them, and Antonietta even has a caged bird that symbolises their condition. Although it's a talking heads movie, dramatic silence and noise are as much a part of it. Radios blare their announcements and songs at dramatic intervals, and the air is awash with the cheers of distant crowds bringing the historical meeting into the lives of the two protagonists. All this subtlety makes A Special Day an unusual political movie. Political cinema always runs the risk of wearing its beliefs on its sleeve, certain that an important message is enough, and that things like aesthetics just get on the way of whatever point the filmmaker is trying to make from his pulpit. A Special Day is an entertaining, deeply humanist movie, whose politics are organically entwined with the story of two people searching for a new purpose in their lives. Anyone who's ever been treated unfairly just because he's different, or anyone who simply opposes intolerance on moral grounds, or deplores the curtailment of civil liberties, cannot fail to be moved by this special movie.

Reviewed by Sasan 10 / 10 / 10

Fascism, homosexuality and ordinary people.

A visit by Hitler in Rome is the backdrop of this tender story of love, friendship, homosexuality and fascism. Sophia Loren plays the housewife and mother of six children who stays at home while her entire family go to the military parade in honor of Hitler and Mussolini. She has to stay at home since the family cannot afford a maid. She would have loved to go though as she along with the entire housing complex where she lives is an ardent admirer of Il Duce. There is one exception though. Across the yard sits Marcello Mastroianni on his chair contemplating suicide. The reason? He is homosexual and because of that has recently lost his job as a radio announcer. The film really takes off when these two people meet by chance. Mastroianni is in despair and badly in need of a friend. Loren, frustrated by her own cheating husband misunderstands Mastroianni and in a masterfully shot, directed and acted scene on the roof of the building complex offers her body to him only to be rejected. The initial chock is replaced soon afterwards by her hunger for this man, this anti fascist, this homosexual, this other world who is so willing to give her all that she longs for. This is a beautifully crafted movie with two of the most talented actors ever. Loren proves here that she is an actress of caliber when well directed. This is a simple but yet powerful film about fascism, love, ordinary people and most importantly the human condition. Despite its sad ending there is a glimpse of hope in the denouement, things will change, someone has understood.

Reviewed by johannes-skarin 10 / 10 / 10

Beautiful film about being human

I too was quite astonished to see how few people had voted on this film, and just HAD to write something about it, although my comments are quite similar to those written already. I like many things about the film. The superb acting between Mastroianni & Loren. The way the film is narrated: Humanity and love slowly developing between these two outsiders, and contrasted to the simultaneously & continuously ongoing inhumane marching pace of the fascist radio announcer (who happens to be a colleague of Mastroianni's part)and the adherents "going to and coming from the show". To me this is a very fine film about what it is to be human. Maybe some of you would argue that the anti-fascist "message" is too clearly delivered, but to me this didn't destroy the film in any way. My vote is 10/10.

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