Achilles and the Tortoise


Comedy / Drama

IMDb Rating 7.4 10 3


Downloaded times
May 29, 2020



720p.BLU 1080p.BLU
1.08 GB
Japanese 2.0
23.976 fps
119 min
P/S N/A / N/A
2.21 GB
Japanese 2.0
23.976 fps
119 min
P/S N/A / N/A

Movie Reviews

Reviewed by MaxBorg89 8 / 10 / 10

Art for art's sake - with added black humor

Achilles and the Tortoise is the last installment in a loose trilogy actor/director Takeshi Kitano has made about the figure of the artist. Whereas the first two entries, Takeshi's and Glory to the Filmmaker, could basically be described as one big self-referential absurdist joke, Achilles is a more controlled film, with a proper story and a precise set of themes, albeit decorated with cheerfully absurd humor. Such a scenario occurs right from the beginning, in an animated prologue which explains the bizarre title: as pointed out by the philosopher Zeno, if Achilles (the fastest mortal man, according to Greek mythology) and a tortoise competed in a race, and the latter had even the slightest advantage (say three feet), logic demands that in the time required for Achilles to reach that point, the tortoise would keep moving forward, and therefore the famous warrior, paradoxically enough, would never be able to catch up with the notoriously slow animal. In Kitano's film, Achilles would be Machisu, a young boy fascinated by art, and the tortoise is success. Despite the boy's determination and occasionally bold choices of subjects (he has a knack for painting macabre events), his lack of stylistic originality makes all galleries shun him and most of his friends abandon him. Only his wife will keep supporting him, even in his older days (at this point, Kitano himself plays the role), when they're practically broke and their own daughter is ashamed to live in the same house as them. Kitano's passion for painting is quite well known among those familiar with his work (he personally makes all the artwork that shows up in his movies), and so Achilles and the Tortoise is a good opportunity for him to use his hobby as a tool to reflect on the elusive subject of art and its various ramifications. Naturally, he does this with his usual penchant for darkly humorous set-ups, especially in the third act, with some scenes so audacious it's doubtful even something like Six Feet Under would have featured them. And yet one does not feel repulsed by those scenes. On the contrary, it's the absurdity of the plot, paired with Kitano's quietly composed directing and minimalistic performance, that constitutes the movie's primary point of attraction. In fact, Kitano's on-screen presence is so charismatic that perhaps he would have been better off shortening the first section of the picture and granting his quirky alter ego more room. Furthermore, the straightforward "happy" ending feels completely at odds with everything else, but then again coming up with a suitably crazy epilogue might have proved too arduous a task. Ultimately, the only thing that seriously damages a part of this strange and, in its own way, funny opus is the running time (almost two hours), with minor help from the somewhat off- beat conclusion. Nevertheless, Kitano fans are likely to find something to embrace yet again, and anyone with some kind of interest in art should take a good, close look at this original take on the matter.

Reviewed by ChungMo 9 / 10 / 10

Who is worse? The "bad" artist or the "bad" art world?

This should be required viewing for everyone in the "art" world. Kitano skewers global modern art culture and also makes fun of his own work. The story is simply of an artist from childhood to "middle age" (which seems to be around 62) as he tries to be a successful artist. He starts out as an untrained "primitive" but with a certain talent for texture and color. He is insulted at every turn while we get to see the "good" art by "masters" which are all really, really bad. Unfortunately the artist gets progressively worse as he takes advice from gallery owners on how to make his work "sellable", which it never is. Every time the work gets better, he's advised to go in a different direction. Many mildly humorous situations arise but the film isn't going for outright laughs most of the time. The scenes of the "middle aged" artist (played by Kitano) getting his supportive wife to make his art are very long, get progressively cruel (probably part of the point) and could have been cut down a little. The issue of autism isn't directly addressed but the character certainly exhibits symptoms. This is a very good film although a little long. It may not be as good to someone who has no experience with the art world of today. Kitano created all the art in this film, good and purposely bad.

Reviewed by ethSin 9 / 10 / 10

Truly amazing film.

Beat Takeshi's "Dolls" is one of my favorite movies, and I really enjoyed his other films "Kikujirou no Natsu", "Zatoichi", and "Brother". However, his last two films I viewed, "Kantoku, Banzai!!" and "Takeshis'" were nothing but narcissistic garbage, so I expected nothing from this movie. To my surprise, it turned out to be a fantastic film that's not only funny, but also deep. The story follows the life of a boy who loves art and destined to become an artist, though fail to achieve success due to lack of originality and excessive imitation. What I really liked about this film is that it explores what art really is, and pokes fun at the absurdity of some of today's so-called 'modern art'. It also depicts the suffering of an artist whose works are not 'understood' by others. It's interesting Kitano Takeshi's films are often artistic in its own way. Makes me wonder if his previous two films were too artistic for me to comprehend? In any case, I enjoyed this film tremendously, and there were many memorable moments. Casting was done extremely well, especially in the 'college days', and all the actors gave a great performance for this wonderful movie.

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