Brokeback Mountain

182
Rotten Tomatoes Critics - Certified Fresh 87%
Rotten Tomatoes Audience - Upright 82%
IMDb Rating 7.7 10 296

Synopsis


Downloaded 145,258 times
April 15, 2019

Director

Cast

Anne Hathaway as Allison Lang
Jake Gyllenhaal as Jamie Randall
Kate Mara as Jessica Chandler
Michelle Williams as Anne Weying
720p.BLU
600.54 MB
1280*720
English
R
23.976 fps
134 min
P/S N/A / N/A

Movie Reviews

Reviewed by magicmote 10 / 10 / 10

A jewel of a film.

I love this movie. Really love it. Haunting score, stunning cinematography, gripping performances, timeless tale--everything. People quibble about non-essentials. I'm female, middle-aged, hetero, and I defy you to tell me that the average straight guy is any more expressive than Ennis or any less needy than Jack. Or the average gal, either, straight or gay. Deeper than their sex, their sexuality, their religious, educational, economic or historic backgrounds, Jack and Ennis are two human beings living in the world as they find it--beautiful and indifferent at best, and as they find themselves--beautiful and flawed at best. Desire is desire. The desire for warmth, for connection, for any echo at all in the vastness of time and space, is shared by every human being ever to have lived. For me, the issue is not how repressed or thwarted Ennis and Jack are, but how persistently they turn toward the light, despite all impediment. Brokeback Mountain lyrically retells a story thousands of years old: loss and grief are unavoidable; love is where you find it.

Reviewed by noonoosis 10 / 10 / 10

Haunts me still

I couldn't get up the nerve to watch this movie and then I didn't want to watch it unless I was alone, no kids, no husband. Don't get that much alone time, but I was finally able to see it. All I can say is I put it off too long. I own it and will probably wear out the DVD. It haunts me still and I think it will for a long time to come. It deserves every award it won and the ones it didn't win, too. My heart still feels heavy and when I think of that last scene of the movie with Heath and that shirt hanging up....I get tears in my eyes. The acting in that movie was amazingly powerful. Will be in my top 5 favorite movies of all time...forever.

Reviewed by nycritic 10 / 10 / 10

Finally A Film Which Gets it Right

It was only time before a film about two men in love would get the treatment it gets in Ang Lee's BROKEBACK MOUNTAIN, since up to now, films had either skirted the subject, reduced it to a peripheral, sanitized version of itself or given it the eye-candy treatment only meant at making a quick impression in the "Gay-Lesbian" category. The simple yet deceptive story of two people who meet, fall in love, but are unable to fulfill their love has been done over and over again from the male-female perspective (i. e. IN THE MOOD FOR LOVE, THE AGE OF INNOCENCE, BRIEF ENCOUNTER), but never involving two men, and never this brutally honest. Of course, the dynamic of male love is different than male-female love only in genitalia. Jack and Ennis' first encounter while waiting for work, their isolation leading to each other's arms, is the stuff of every restrained romantic drama. The mechanism of two men falling in love here develops along the lines of homo-masculinity dictating patterns of behavior which both Jack and Ennis obey whether they know it or not. It comes to me as no surprise when, following their first sexual encounter (brutally executed with undertones of sadomasochism but true to the style of love involving alpha males), they revert to "not being queers" but cowboys who excuse "what happened" to liquor and "manly needs". Which of course verbalizes society's impositions of men having to be "men." Of course, things take a different turn and the heart wants what it wants. Once their work is done, Jack tries to keep their acquaintance alive but Ennis is so intensely closed and closeted to any possibility of emotions that he looks like he may implode at any moment and only once does he actually scream into his hat, bent over, as Jack drives away. The sound is a terrible, heart-rending puke of indescribable pain. What follows is a series of brief encounters that become more intense as the years go by, but at the same time destroys two marriages and consumes then to the end. Love is an uncontrollable emotion, and when two people who belong together despite their gender cannot fulfill their dreams it's only a matter of time when things reach a head. Again, the constraints of time and space interfere: Ennis cannot see a life outside what he knows, again more a product of the trauma of seeing something horrible as a child, and Jack, not having what he wants, has to take to meeting other men in sordid locations and re-create a semblance of an affair with a man who resembles Ennis. In presenting these situations as they are and not trying to pursue change in its characters, BROKEBACK MOUNTAIN is the love story that transcends gender, space, time, and proves that love -- even when tragic -- is universal. Even so, will straight people see the message behind the story? I believe straight women (and a few enlightened straight men) will be the ones drawn to view the movie over a majority of conservative idiots who still hold the idea of two men locked in intimacy as being repugnant and are ripping their feeble brains out over the quasi "gay agenda" that BROKEBACK MOUNTAIN is trying to "convert people to homoesexuality". Sometimes it takes a movie like this which dares to take the risk and tell an unforgettable story rife in visual and emotional power -- true poetry in motion. All of the actors in BROKEBACK MOUNTAIN are flawless, and all of them have roles that in another story might have been bland stereotypes of predictable natures. Jake Gyllenhaal is smoldering longing at the beginning but becomes a broken man who explodes in rage when he realizes that twenty years have gone down the drain. Heath Ledger goes one better: his painful speech, furtive eyes, and inward body language expresses an overwhelming set of emotions which state that he'd never be able to be happy with anyone, and his final scene holding Jack's shirt comes more as an apology to Jack than an added moment of schmaltz. Michelle Williams plays a typical housewife who is witnessing something she can't understand. Linda Cardellini, who comes quite late in the film, initially appears to be just a waitress, but is the person who gives Ennis an advice about love. Anne Hathaway's role as Jack Twist's wife is much more tricky: is she aware of his gayness or is she really all about business and having a perfect home? I get the feeling her character knows more than she expresses, and her turning progressively blonde is a manifestation of her choosing to look the other way and live a life of bitter complacency, best expressed in her telling speech about how "men don't dance with their wives." If she only knew.

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