Comedy / Crime / Mystery / Thriller

Rotten Tomatoes Critics - Certified Fresh 71%
Rotten Tomatoes Audience - Upright 71%
IMDb Rating 7 10 11


Downloaded times
December 13, 2020



Christopher Reeve as Frederick Dallas / Philip Brent
Dyan Cannon as Alice Henderson
Jenny Lumet as Self
Michael Caine as Bridegroom
720p.BLU 1080p.BLU
1.04 GB
English 2.0
23.976 fps
116 min
P/S N/A / N/A
2.14 GB
English 2.0
23.976 fps
116 min
P/S N/A / N/A

Movie Reviews

Reviewed by gftbiloxi 8 / 10 / 10

Wickedly Witty, Super-Twisty

When DEATHTRAP was first released, the poster--reproduced on the cover of this DVD--offered a graphic akin to a Rubik's Cube. It is an appropriate image: originally written for the stage by Ira Levin, who authored such memorable works as ROSEMARY'S BABY and THE STEPFORD WIVES, the play was one of Broadway's most famous twisters, and under Sidney Lumet's direction it translates to the screen extremely well. DEATHTRAP is one of those films that it is very difficult to discuss, for to do so in any detail gives away the very plot for which it is famous. But the opening premise is extremely clever: Sidney Bruhl (Michael Caine) is the famous author of mystery plays, but these days he seems to have lost his touch. After a particularly brutal opening night, an old student named Clifford Anderson (Christopher Reeve) sends him a script for a play he has written. It is called "Deathtrap," and Sidney recognizes it as a surefire hit. Just the sort of hit that would revive his career... indeed, a hit to die for. And when Clifford visits to discuss the play, events suddenly begin to twist in the most unexpected manner possible. Like Anthony Shaffer's equally twisty SLEUTH, DEATHTRAP is really a story more at home on the stage than the screen--to reach full power it needs the immediacy that a live performance offers. Still, under the expert guidance of director Sidney Lumet, it makes a more-than-respectable showing on the screen. Much of this is due to the cast, which is remarkably fine. Michael Caine gives a truly brilliant performance, Dyan Cannon is funny and endearing as Sidney's relentlessly anxious wife, and Christopher Reeve gives what might be the single finest performance in his regrettably short acting career. If you can't see it in a first-rate theatrical production, this will more than do until one comes along. Gary F. Taylor, aka GFT, Amazon Reviewer

Reviewed by Doylenf 8 / 10 / 10

Twist upon twist makes an absorbing mystery even better...

Nothing's more enjoyable for me than a who-dun-it or suspense tale that keeps you guessing throughout as to how the whole thing will end. And that's precisely what happens in DEATHTRAP, based on a chilling play by Ira Levin ("Rosemary's Baby"). And in it, MICHAEL CAINE and CHRISTOPHER REEVE get to do the kind of stunt that Caine and Laurence Olivier pulled off in SLEUTH--with just about as much skill and as many puzzles as ever existed in that extraordinarily clever play. But because it's meant to scare you, surprise you, and keep you guessing as to the outcome, it's difficult to write a review about the plot. Let's just say that what we know in the beginning is all you have to know about the film for the present. MICHAEL CAINE is an insanely jealous playwright whose latest play has failed miserably. When a young aspiring writer CHRISTOPHER REEVE sends him the manuscript of his play, Caine realizes that passing it off as his own would solve all his problems and get his reputation back. From that point on, it's a matter of fun and games for the audience as Ira Levin's story unwinds, managing to trump Agatha Christie for the number of twists. Caine and Reeve play off each other brilliantly, each bringing a certain dynamic tension to the tale as well as some humorous touches that come from a script that laces drama with humor. Summing up: Well worth seeing--but not everyone is pleased with the ending.

Reviewed by dwr246 8 / 10 / 10

A maze of plot twists and turns that keeps you guessing until the end

Every time you think you have a handle on Deathtrap, another plot twist comes along. Best to just sit back and enjoy the ride on this one. Most noted for its on screen kiss between Michael Caine and Christopher Reeve (which was unfortunately cut from the televised version I saw), this movie has a great deal more to recommend it. Sidney Bruhl (Michael Caine) is a very unhappy man. Once a successful playwright, his last several plays on Broadway have flopped. And while his wife Myra (Dyan Cannon) is nothing but supportive, in both the monetary and emotional sense, this does little to make Sidney feel any better. To add insult to injury, young playwright, Clifford Anderson (Christopher Reeve), has just sent Sidney a play to look at. It's Anderson's first, and Sidney can see that the young man is a gifted writer. He jokes to his wife that he should invite Anderson over, kill him, and submit the play as his own. She laughs with him at first, but when Sidney actually invites Anderson over for dinner, she worries that he may really be putting his scheme into action. And her fears just may be justified... It's a brilliant script. There are twists and turns all through the plot, and they come faster and more furious as you get closer to the end. It's the kind of film that has you on the edge of your seat from the beginning, and keeps you there the entire time. An absolute masterpiece of suspense and mystery. The acting is excellent. Caine gives his usual excellent performance, and he does exhibit a knack for playing cultured, refined, and intellectual men. Reeve also gives an excellent rendering of a man who isn't nearly as wide eyed or innocent as he seems. Cannon's franticness works well for Myra. And Irene Worth gives a nice performance as a nosy neighbor who is also a psychic. This is a film with an ending you'd never expect, and repeated watchings help to pick up on things missed in earlier viewings. An unsung classic that is unfortunately only remembered for a scene which ruffled some sensibilities at the time - and that is a real shame.

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