Disconnected

1984

Crime / Drama / Horror

165
IMDb Rating 4.3 10 414

Synopsis


Downloaded times
September 30, 2021

Director

Cast

720p.BLU
776.23 MB
1280*720
English 2.0
NR
23.976 fps
82 min
P/S N/A / N/A

Movie Reviews

Reviewed by nick121235 8 / 10 / 10

70s feel

Both the (extremely) low budget production values and the bad acting helped to create a film that was reminiscent of giallo, which brought a sense of nostalgia to the table for me- however, Disconnected has characters that are the 'every day' american type, and this, alongside the graininess of the cheap film stock, makes the film seem much more like a 70's film than an 80's one. The more real violence contributes to the 70s feel- other than the acting, there is no cheese to be found here. The first 3/4 of this film were absolutely fantastic. A real sense of tension and a blend of realistic, sleazy subplot alongside a more surreal main plot made Disconnected an absolutely unique and interesting piece. After the subplot culminates however, the film falls off, and begins to wear out its welcome. Overall this film is actually really cool as long as you can stand the super low budget feel.

Reviewed by LuisitoJoaquinGonzalez 8 / 10 / 10

Off the wall slasher movie that just about satisfies...

Once again we're in the realms of slasher movies that just about fit the guidelines of the category. As with Dead Kids and Murderlust, Disconnected attempts to branch away from the hackneyed likes of The Prowler and Edge of the Axe without straying too far from the stalk and slash rulebook. After the credits have rolled we meet Alicia (Francis Raines) the protagonist of the feature. On her way home from work one day she finds an elderly man hanging around mysteriously beside her apartment. Sympathetically she allows the stranger to come inside and use her phone, but whilst she's making a cup of tea, he vanishes from her living room without trace. Later that night, Alicia tells her twin sister Barbara Ann (also Francis Raines) about the mysterious visitor, but she laughs it off telling her sibling that he probably just made a call and left suddenly. We soon learn that these twins don't exactly see eye to eye, mainly because Barbara Ann keeps sleeping with Alicia's boyfriends behind her back. Mike (Carl Koch) is the latest in the line of unfaithful partners to get the chop, not only for the aforementioned cheating, but presumably also because he has the worst case of 'bad mullet syndrome' that I have ever seen! Imagine a mid-eighties geek with a poodle on his head and you may be able to conjure up your own visual image. Down in the dumps and on the rebound, Alicia meets up with a guy named Franklin (Mike Walker) and agrees to go out on a date with him. Franklin comes across as a polite fellow and he hides pretty well the fact that he loves nothing more than picking up promiscuous women, taking them back to his flat and then slaughtering them with the handy switch blade that he keeps in his bedside cabinet. Around the same time that Alicia meets this undercover maniac, she begins receiving bizarre and frankly quite credibly eerie persistent anonymous phone calls. As the bodies pile up around the city the Police get more and more baffled. Is Franklin the mysterious caller or is the petrified female just a little disconnected? Disconnected is certainly an oddity of a feature. Almost as intriguing as it is bemusing, it will at times leave you staring at the screen in confusion. After the killer is revealed and dealt with half way through the runtime, the mystery is still un-resolved and to be honest the conclusion remains inconclusive to the viewer. Gorman Bechard's direction will have you as baffled as the illogical plot line. 88 of the 90-minute runtime looks to have been shot and edited by a retarded gibbon, but then every once in a while he manages to pull off a standout shock sequence that feels out of place amongst the rest of the point and shoot mediocrity. The director's obsession with wide, spacious and eminently tedious backdrops is as tedious as a HBO documentary and the chapters look to have been sewn together using a chainsaw and a tub of wallpaper paste. The dramatics from the supporting actors are generally non-existent, but Francis Raines showed flashes of potential. OK, so she's certainly no Merryl Streep; in fact come to think of it, she's no Sharon Stone either; but for a breakout performance, I've certainly seen worse. One thing that is worth mentioning is the cheesy but still rather enjoyable soundtrack, which must have soaked up the majority of the minuscule budget. Look out for the hilarious nightclub scene, which in true slasher cheese on toast tradition shows us why the early eighties will always remain a bad disco memory to those that were alive and kicking at the time. Bechard didn't attempt to hide the fact that he was making a shlock-a-lock feature. One character says, "I feel like I'm stuck in a low budget horror film, because some man is going round killing young women!" Another mentions something about nudity and violence and you can tell that the director knew exactly which audience he was aiming to satisfy. I guess in a way he succeeded, because for all its nonsensical and off the wall ramblings, Disconnected remains worth a watch. Yes it's confusing, and yes it makes very little common sense; but as an authentic take on the slasher formula, there are worse attempts floating about. Track it down if you can find it.

Reviewed by drownnnsoda 8 / 10 / 10

Just a girl and her landline

Alicia is an introverted video store clerk in early-1980s Waterbury, Connecticut suffering from insecurities spurred by her glamorous twin sister, Barbara Ann, whom Alicia believes is stealing her boyfriend, Mike. Meanwhile, a series of murders is occurring in town. Alicia's troubles grow worse when she breaks up with Mike and begins dating Franklin, a shy local who has pursued her, after which she begins receiving horrifying phone calls emitting unearthly noises. Is Alicia going mad? Is it Mike--or Franklin? Is her phone evil? The first feature of Gorman Bechard, this low-budget but arty debut is a strange cross between Brian De Palma's "Sisters" and Roman Polanski's "Repulsion," shot through with a possibly supernatural weirdness that renders the whole thing almost unforgettable. If you are looking for a narrative that makes sense and can be logically followed, this is not the film for you--though fairly straightforward, "Disconnected" has just enough weirdness about it that will leave viewers scratching their heads, with the most levelheaded inevitably frustrated. Rather, this is the kind of film for audiences who want to be whisked away by atmosphere, into a world of wood-paneling, suburban video stores circa 1983, and autumnal leafy New England streets populated by dive bars. Despite its narrative shortcomings, "Disconnected" is a profoundly atmospheric film with a number of visual touches that are surprisingly elegant; it's also punctuated by a haunting sound design, with frequent attention to ambient noises like ticking clocks (ala "Repulsion") and unearthly, almost alien-like screeching that the protagonist is tormented by with each phone call. Bloodied hands grasp at picture frames, the camera pans to crucifixes hanging above beds inhabited by a corpse, and time passes in the form of black-and-white still frames like a 1910s hand-cranked nickelodeon. Some of these odd touches feel purposeful, others merely incidental (such as several bizarre scenes in which a detective discusses his investigation into the string of murders, facing the camera interview-style in a Hawaiian shirt), but, all together, they weave a web of utter strangeness that will either draw you in or completely deter you. The acting here is generally lackluster, though the lanky, doe-eyed Frances Raines makes for a formidable lead in the dual roles of the twin sisters. Her acting is at times shaky but overall decent, and she spends much of the film chain-smoking and lounging around her home, illustrating a bleak existence. What is perhaps most surprising about the film is that it really throws a curveball in the last scene, which ties together the film's bizarrely brief, episodic opening sequence, and leaves the audience with a quite different view of everything they've just watched. The final scene, which ends in a freeze frame, is unexpectedly haunting, and suggests the most logical explanation is not at all correct. All in all, this cheapjack horror effort weaves a spell. 8/10.

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