Drowning by Numbers

Rotten Tomatoes Critics - Certified Fresh 91%
Rotten Tomatoes Audience - Upright 91%
IMDb Rating 7.3 10 7


Downloaded 4,307 times
April 15, 2019


Bernard Hill as Self - Narrator
David Morrissey as Carl Matthews 2 episodes, 2014
Joan Plowright as Nellie
Joely Richardson as Theresa
1.84 GB
23.976 fps
118 min
P/S N/A / N/A

Movie Reviews

Reviewed by Joseph Sylvers 10 / 10 / 10

I'm Not Waving Im Drowning (Best Films Ever Seen)

Drowning By Numbers is one of a very small group of perfect films I've seen. Not just 5, 10, 100 point films, but flawless to the point where numerical systems fail to be valuable. Peter Greenaway's third film is about three women a mother, daughter, and niece all named Cissie Colpitts, who one by one drown their husbands in a bath, in the sea, and in a pool. After the first drowning, the local coroner is asked to help cover up the crime, and he agrees believing this will give him car blanche to have his way with the new widow. He is rebuked in the first of several such attempts. His name is Madgett and he orchestrates for the town a series of seemingly random, perhaps ancient (in fact completely made up) games, consisting of strange rules and regulations, like "Hangman's Cricket" where half the game is spent learning the rules. Madgett's son is named Smut(our narrator), and Smut is interested in a young girl dressed in a fancy gown who always claims to be on her way to a party, and who jumps rope counting from 1 to 100 in the films opening sequence. Numbers appear in every scene whether spoken aloud or written on a small or large object in the background. One could make the film itself into a game called "spot the numbers", which count from the first scene to the last from 1 to 100. The film is full of small details some so obscure they are likely to please no one but Peter Greenaway or those willing to watch his behind the scenes blow-by blow "Fear Of Drowning", where for instance, we learn that many lines of dialog consist of the last words of England's kings, sometimes crazed non-sequitters muttered from their death beds. Why include such things, because it makes the game for fun, that's why. As always Greenaway composes every single sequence to achieve a sense of balance, and painterly poise. As usual most scenes, including idle landscape shots are recreations of paintings. Though the images are fantastic, the soundtrack by frequent collaborator Michael Nyman is stunning. I can't think of a director and composer whose works fuse together with such iconoclastic fluid grace since Sergio Leone and Ennio Mariconne. Nyyman's orchestral compositions are energetic, pulsating, lively, and captivating enough to be listened to and enjoyed apart from the film as its own music, and gives a sharp sense of irony and comic timing of its own to Greenaway's visual tableaux. Greenaway is not what you would call a "humanist" director, he rarely shoots close ups, instead remains in wide screen, and letting his characters take up positions as figures in an image, not actors on a stage, or in a film. This can be difficult to deal with if identification with characters is a pre-requisite for enjoyment, because the film aims for visual awe, wafts of aural pleasure, and snatches of witty literate dialog that only doesn't sound like dialog because of the casual delivery the lead actresses are able to give their macabre melodrama. Drowning By Numbers is a multi-layered film meant to be watched several times. It is a monument to be marveled at, but one where all of the elements of the film medium contribute the structure and design of the piece as whole, where form and content perfectly integrated into each other. The women who drown their husbands, at first do it out of anger, then out of disappointment, and finally out of "solidarity", or in other words for no real reason at all. The pattern of threes needs to be complete, three murders, three autopsies, and three funerals. We know the husbands will die, they are as inexorably fated to their turns in the plot as all people are fated for death, as films are fated to end after a certain number of scenes. We are made hyper-aware of these numbers because they are flashed in a countdown on screen. Does anyone remember the death clock, http://www.deathclock.com/, how it works is after a few personal details are typed in a clock appears counting down to the exact moment you will die. You can watch your life flicker away by measurements. We are all drowning in numbers. Yet it's not all doom and gloom, because the coroner while being an eternal bachelor as fated to be rejected by the widows he assists as their husbands were to watery graves, he is also the master of games. Like his first film the Draughtsman's' Contract the battle of the sexes consumes the characters, where in Draughtsman, an artist who believes he is having his way with a mother and daughter discovers all to late, he is in fact being used and disposed of, so does Madgett find himself helpless in the face of "female solidarity", leaving him to his only recourse of playing more games. Sure death is just around the corner at all times, but there are so many marvelous, silly, frivolous distractions to amuse ourselves with in the meantime; life and all of its contents. "No Country For Old Men" and Blow-Up have both made this same point about death's inevitability and life as a game of chance, but where both those films suffered a self-serious somberness Drowning By Numbers remembers to be a tragic-comedy and not just a tragedy. Life is absurd, of course of course, but the absurd can be very funny, and humor after all is happiness' cheeky cousin, sometimes inappropriate, but nearly always welcome. Smut: "The full flavor of the game Hangman's Cricket is best appreciated after the game has been played for several hours, by then every player has an understanding of the many rules and knows which character they want to play permanently, finally an outright loser is found and is obliged to present himself to the Hangman who is always merciless".

Reviewed by wpkrip 2 / 10 / 10

Innovative and fun

This is more than just a movie,it is also a series of games and puzzles that we can play along with.Along the way things- and occasionally people- are constantly catalogued and numbered in clever and subtle ways.These numbers serve as signposts, indicating how far along we are, and sometimes they also have underlying meanings and echo.For example, note the number the skipping girl in the opening scene stops at.Her explanation for stopping at that particular number neatly ties in with the very last scene. The cinematography is superb.Many of the scenes look like oil paintings - both still lives and landscapes- by the old masters which, sort of startlingly,contain movement and life.There are also lots of scenes shot with colour filters or very intensely focused lighting, which makes for surreal but vivid and striking effects. All the actors do an excellent job, but two- Bernard Hill and Joan Plowright especially stand out for their superb elocution and deadpan wit. Finally, Michael Nyman's musical scoring is a treat. Ultimately, Drowning by Numbers is a black comedy but somehow a very lighthearted and engaging one.

Reviewed by Dave 2 / 10 / 10

Pretentious, annoying, boring film

This is a black comedy-drama film set in Southwold, Suffolk. It stars Joan Plowright, Juliet Stevenson and Joely Richardson as three middle-class women (who ridiculously all have exactly the same name) from the same family. Each woman murders her husband, then tries to persuade the coroner to help them get away with it. This pointless, weird, miserable, boring film is very hard work to watch. The numbers 1 to 100 appear in the film - almost all of them are in order, but a few aren't. Some of them are very difficult to find. It takes great concentration to find them all - but they are of no relevance. It's preposterous that these educated killers would think that they could get away with their crimes in a tiny town. None of the characters are likable. The coroner's son is the worst to watch and listen to. He's a very annoying kid who proudly drones on and on about various strange games - as though what he's saying is really important. He - and the film - give the impression that they're old, traditional, rural English pursuits that many people frequently play. However, most of them are either invented for the film or are obscure. None of them have anything to do with the main plot. This film is a waste of the acting talent of its three actresses. It doesn't work as a black comedy, because it isn't funny. It doesn't work as a drama, because it's too ridiculous to take seriously. What point is there to this film - other than to make the ludicrous claim that death is just around the corner in this tiny, prosperous town?

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