Howling III


Comedy / Horror

IMDb Rating 3.4 10 4


Downloaded times
March 15, 2021



Barry Humphries as Aunt Edna Everage / Hoot / Dr DeLamphrey
Frank Thring as Godfrey
Michael Pate as Count Ernst von Melcher
720p.BLU 1080p.BLU
902.4 MB
English 2.0
23.976 fps
94 min
P/S N/A / N/A
1.63 GB
English 2.0
23.976 fps
94 min
P/S N/A / N/A

Movie Reviews

Reviewed by kelvinthelion 7 / 10 / 10

One of the most unusual werewolf movies

I realize that this is not one of the more popular films in the howling series. I still haven't seen Howling parts 2, 4, or7, but I've read some pretty bad things about them. The Howling 3 is my favorite one. Yes, I pick it over the first one which seems to be everybody else's favorite. It has it's flaws of course but it also has a lot of insignificant firsts like werewolf nuns. We call them insignificant firsts because nobody else ever did the same thing but they are still neat ideas. It's also one of the few werewolf movies based on the idea that werewolves are people too and at times it seems that the people hunting the werewolves are the real bad guys. I really felt something for them and the plight of the thylacine (marsupial wolf) that was wiped out decades ago. It really seems more like an action comedy than a horror movie. The director claims that gore was the furthest thing on his mind. It also might be the only Howling movie with a PG-13 rating. My only real gripe is the dragged out ending that just keeps on going. It seems they had a hard time figuring out how to end it. All in all, I think they did pretty well with what little money they had. (1 million dollars Australian.) Notice during Jerboa's run through the arcade you can see a Rampage arcade machine. One of the characters in that game is a giant werewolf.

Reviewed by capkronos 1 / 10 / 10

Imaginative, unique... and absolutely does not deserve all this hate.

Having no relation whatsoever to THE HOWLING (1981) or HOWLING II: YOUR SISTER IS A WEREWOLF (1985), this is pretty much a standalone film... and what a strange film it is! Director Philippe Mora had previously made the critically-abhorred second entry and wasn't completely happy with the finished results himself. Since he'd purchased the rights to the "Howling" brand name from the original author, he decided to take a second stab at making a comic werewolf flick. Though the opening credits claims it's based on Brandner's third book in the series, it in fact has nothing at all to do with the book and is based on an original idea by the director himself. Aside from the abysmal HOWLING: NEW MOON RISING (1995), this is the lowest-rated "Howling" title here on IMDb, which I find utterly perplexing. This is extremely bizarre and sometimes off-putting in its weirdness, but it's also frequently hilarious, often very clever and filled with interesting ideas. Instead of being the 2nd lowest rated film in this series on here, I actually think it deserves to be the 2nd HIGHEST rated. Silent film footage from 1905 depicting Australian natives tying a werewolf to a tree and killing it as well as current reports of werewolf killings in the village of Leovich in Siberia send anthropology professor Dr. Harry Beckmeyer (Barry Otto) - later joined by colleague Professor Sharp (Ralph Cotterill) - on a quest to prove the creatures actually exist. Meanwhile, in the small village of Flow, Jerboa (beautiful Imogen Annesley) is getting fed up dealing with her abusive stepfather Thylo (Max Fairchild) and flees her tribe. After a bus ride, she ends up in Sydney and is immediately discovered by Donny Martin (Lee Biolos), assistant director on a horror movie called "Shape Shifters Part 8." He takes her to meet director Jack Citron (Frank Thring, doing his best Hitchcock impersonation), who immediately casts her in his film. Well, if she doesn't mind "being gang-raped by four monsters." And she doesn't. After he takes her to the theater to see "It Came from Uranus," Donny and Jerboa end up falling in love, but what he doesn't realize is that she's actually a werewolf... and a marsupial one at that! Things really take off into the realm of strange once the scientists get hold of a pregnant Jerboa and her tribe sends three female tribeswomen decked out as nuns to get her back. This movie is literally all over the place with its tone. It begins as a campy horror-comedy with a bizarre sense of humor and then, in the second half, begins aiming more for poignancy. It doesn't always work, but it's a consistently interesting film and one of the most original werewolf films ever conceived. Mora deserves more credit than he has gotten for trying something completely different here. The plot makes room for an odd werewolf birthing scene (it's a cute little thing that lives in the protagonists belly), a posse of hunters sent to eradicate the werewolves with machine guns and bazookas (!) and a Russian werewolf ballerina (Dagmar Bláhová) who flees her homeland to meet up with the Aussie tribe and ends up transforming mid-performance. Hell, even the President of the United States (played by Michael Pate) gets involved at one point! The werewolves themselves are handled completely differently than in any other film of this type. These are not monsters who kill for pleasure or even food, and they are not cursed humans, they are depicted as a misunderstood separate species who resort to violence only when they have to as a means of survival. The film draws a fascinating parallel between the werewolves and the thylacine, which were striped marsupials commonly called "Tasmanian Tigers" that lived in Australia and Tasmania until the mid-1930s are were driven to extinction by man. Like the werewolves here, the thylacine had patterned stripes along their backs and were misunderstood and feared by humans, who wrongfully blamed them for killing their sheep and livestock when that wasn't actually the case. The few surviving thylacine in zoos were apparently mishandled and poorly treated until they existed no more. The film includes rare film footage of the now-extinct animal taken at a London zoo. The expected lycanthrope mythology is also refreshingly thrown right out of the window. Full moons and silver bullets don't factor in at all and the transformations of man to wolf can be willed by the werewolves or caused by fear, stress or flashing lights. Mora also includes both nods to his previous films (a poster for THE BEAST WITHIN [1982] hangs above a bed) and some amusing references to the first "Howling" film, including a mock Oscar ceremony with a cameo appearance by Dame Edna (Barry Humphries) directly referencing the the original film's ending.

Reviewed by ExpendableMan 1 / 10 / 10

Is this the most catastrophically awful movie ever made?

The original Howling was a fun little Werewolf flick. Nothing too serious, just a simple but original premise, some well-handled tension, cool makeup effects and a nice healthy dose of gore and violence to round things off. Compared to its most immediate rival, An American Werewolf in London though it comes up second place, so why in the name of heaven it spawned so many follow ups is something of a mystery. The series is up to its seventh entry thus far and if the diminishing laws of sequels is anything to go on, they must be unspeakably terrible because Howling 3 (the only one I've been bored/curious/stupid enough to sit through) is so bad I'd have to say it's one of the worst films I've ever seen. The principle reason for this is the premise, as director Philippe Mora decides to do away with the original's everyday people versus rampaging monsters approach and instead, provides us with what must be the only Marsupial Werewolf Romance Epic in movie history. The script is massively overambitious, the acting so bad the cast might as well have been made of cardboard and any promise of bloodthirsty violence a la the original goes forever unsatisfied. You might get a few laughs out of it, but ultimately it's just a very poor film. The overambitious storyline considers an anthropologist, Dr Beckmeyer (Inspector Clouseau lookalike Barry Otto) and his studies of a race of marsupial werewolf people discovered in Australia. Mixed up in all this is a Russian ballet dancer who is secretly a non-marsupial werewolf herself come to breed with the Australians, a B-movie actress from the countryside who is also a werewolf and an idiot movie talent spotter who's fallen in love with her. So blindly in love with her in fact that he doesn't bat an eyelid when he first notices how hairy she is. Dr Beckmeyer is determined to prove that the werewolves are not to be frightened of and that studying them is the best approach, the Government is not so certain and wants to destroy them and eventually, after a painfully long set up, he joins up with the lycanthropes in an attempt to lead them to safety in the outback. You might think a film with 'Marsupial Werewolves' in might be entertaining. It isn't. The delivery is slow and tedious, with characters and subplots being introduced with no concern for cohesion and what should have been a campy, violent and fun film instead is dull, pretentious twaddle. Indeed, the only attraction to come from this is Imogen Annesley, a very attractive young woman whose career has failed to take off since the high point of stripping naked in a barn, giving birth to a rodent thing and having it crawl up her belly and into a kangaroo pouch on her abdomen. She might be gorgeous in a "I wish you weren't a hideous mutant freak monster" kind of way but she's more or less the only noteworthy thing deserving praise in the entire sorry enterprise. Oh and Dame Edna pops up at the end. So there you have it, a werewolf movie with a humanitarian message. Great, that's just what we needed. If you're a film student looking for a lesson in how not to make a movie you might just be capable of scraping some little residue of a hint out of this, but if not, I'd advise avoiding this movie like the bubonic plague.

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