Love in Thoughts



IMDb Rating 7 10 3


Downloaded times
November 5, 2021


August Diehl as Günther Scheller
Julia Dietze as Lotte
720p.WEB 1080p.WEB
821.01 MB
ger 2.0
23.976 fps
89 min
P/S N/A / N/A
1.65 GB
ger 2.0
23.976 fps
89 min
P/S N/A / N/A

Movie Reviews

Reviewed by Horst_In_Translation 4 / 10 / 10

My love for this film is theoretical at best

"Was nützt die Liebe in Gedanken" or "Love in Thoughts" is a German movie from over 10 years ago that stars Daniel Brühl and August Diehl, the possibly two biggest players in terms of the New German Wave of cinema in the 21st century. Anna Maria Mühe (daughter of Ulrich) and Jana Pallaske play the major female parts, both fairly well known, at least here in Germany. The film is based on real happenings between the two World Wars, which is maybe the biggest reason to watch it. Sadly, it is also almost the only reason as I have to say I was not too impressed by Achim von Borries' script and direction in this one. Brühl and Diehl have given better portrayals in better movies too. Two best friends make a pact to kill those who broke their hearts and commit suicide afterward, but only one of them sticks to the plan. This is in theory a pretty interesting plot, but unfortunately the movie loses itself in all kinds of love triangles and apart from a couple scenes early on and the final showdown, there really isn't too much in this film about the aforementioned pact. I cannot say I really cared for the characters or with whom they were in love, which really hurt my overall perception of the film. I also felt that the fact that this plays in the 1920 could have played a bigger role in terms of political situation or general inclusions other than costumes and set decorations. Of course, it should not have been about this at the core, but still I think it may have helped the film to have a little more emphasis on the time during which it was set. Overall, I do not recommend the watch. I thought this would be better and I am actually glad this was such a short film, only runs for 80 minutes (without credits).

Reviewed by gradyharp 7 / 10 / 10

The Exhilaration and Devastation of First Love

'Was nützt die Liebe in Gedanken' ('Love in Thoughts'), while based on a true incident in Berlin in 1927, is a story about the confusion of adolescent hormonally driven needs and desires brought to the screen by director Achim von Borries based on a dramatization by Hendrik Handloegten, Annette Hess and Alexander Pfeuffer of the Steglitz Student murders. It is as much a tale of the decadent 20s in the Berlin that would breed the Nazi Party as it is a stirring thriller. And if think back to the times of this story, a similar theme was being played out in this country under the names of Leopold and Loeb! Strange crossover... Paul (Daniel Brühl) is a student poet from a working class family who makes friends with Günther (August Diehl) who is a gay and wild romantic from the wealthy class. Their common thread is their sense of rebellion against their families and the need for Byronic defiance in a world they find shallow. The make a 'suicide pact' - that once they discover true happiness in love, and knowing that true love cannot be repeated, they will commit suicide. The two lads go to the country home for a weekend party of drinking and carousing. Günther brings along his love Hans (Thure Lindhardt), a kitchen worker clearly not in Günther's social class, who begins having a sexual liaison with Hilde (Anna Maria Mühe), Günther's lusty, superficial, hedonistic sister. Paul is in love with Hilde, but at the party he observes her acts of sexual freedom and turns to plain Elli (Jana Pallaske) for his initial sexual encounter. When Günther realizes he has lost Hans to Hilde, the options of the 'suicide pact' play out in a gruesome way. Paul is left to tell the story, later becoming a novelist (condemned by the Nazis and thrown into exile). Achim von Borries manages to recreate this sick tale with all the feeling of Weimar decadence. It takes a while to get the characters straight, but once they are in place the development of each has a fearsome momentum. The young cast is excellent. It is refreshing to see a film that includes a gay main character whose sexuality is at the core of his life but at the same time the story is not focused on the gay character so much as being focused on all youth in a cumbersome time in history and in adolescent physiology! The film is in German with English subtitles and presents the actual events of the case in writing on the screen after the story is completed. Very Effective. Grady Harp

Reviewed by Havan_IronOak 7 / 10 / 10

A German tragedy in the era of Leopold and Loeb

Paul (played by Daniel Brühl) and Günther (played by August Diehl) are school chums and best friends in 1927 Weimar Germany. Günther is gay and Paul is straight but has never slept with a woman. The two boys know each other's story and yet remain good friends. Günther has invited Paul to his family's house outside Berlin and Paul has accepted, hoping to see Günther's sister Hilde again. Paul has met Hilde once before and she's made quite an impression on him. Hilde is a free spirit who believes that it's OK for a woman to have several lovers at once but she's never looked at Paul that way. She is much more fascinated with Hans a boy from a much lower class who works in the kitchen of a restaurant/dance club that she and Günther frequent. Problem is Günther is also in love with Hans. Add to this somewhat incestuous, somewhat quadrangular love arrangement, the Leopold and Loeb philosophy of the day, throw in a weekend party of heavy drinking and absinthe use, top the whole thing off with a pistol that Günther has become fascinated with and you have a recipe for disaster. The movie opens with Paul being interrogated after two of the party goers end up dead, so you know that this isn't going to be a happy story from the very start but watching these attractive young people as they meander through the events that lead up to this tragedy is fascinating. This movie unfolds slowly and will not be to everyone's taste but there are images and moments that will linger with the patient viewer long after seeing the film. I especially like the way that Günther's homosexuality played a part in the story but didn't dominate it.. It was just one aspect of the overall course of events and was treated as just another fact of these people's lives.

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