Love Liza

Comedy / Drama

IMDb Rating 7 10 7


Downloaded times
February 12, 2021



Kathy Bates as Bobi Jewell
Kelli Garner as Heather Swallers
Philip Seymour Hoffman as Jacob Elinsky
Stephen Tobolowsky as Dr. Berthram
826.96 MB
English 2.0
23.976 fps
90 min
P/S N/A / N/A

Movie Reviews

Reviewed by jotix100 7 / 10 / 10


One never knows how grief will affect anyone. The loss of a loved one is something no one is prepared for. When tragedy strikes, as it's the point of this film, the surviving spouse is so desolate that he cannot deal with his loss. That is why Wilson, the grieving husband of Liza goes to the deep end trying to cope with her untimely death. Liza's death is not spoken of until Wilson receives a telephone call from the local newspaper editor that is trying to write an obituary about her death and asks whether he wants to mention the suicide, or not. We get a clue about what happened to Liza when Wilson goes to the garage and sees her car. This is a link, perhaps, as to why he resorts to sniffing gasoline, as a way to obliterate the tragedy from his mind, as Wilson tries to comprehend what could have motivated her suicide. "Love Liza" is a different kind of film. It will irritate some viewers, but ultimately, it will reward those that stay with the story. The screen play written by Gordy Hoffman could have used some editing, but his story feels real. Todd Luiso directed with conviction. The film's main character, Wilson, is brilliantly played by Phillip Seymour Hoffman, one actor who is always a pleasure to watch for the intensity he brings to his appearances. In fact, his Wilson is one of the best roles he has played. Kathy Bates, on the other hand, as the mother of the dead Liza, is only seen briefly, but her scenes convey the impression how this woman is suffering as she seeks answers about her daughter's untimely departure. Sarah Koskoff, Stephen Tobolowsky and Jack Kehler, especially, make good contributions to the film. This film is a must for Phillip Seymour Hoffman's fans.

Reviewed by darthmaus 6 / 10 / 10

This is not your mother's film about death of a loved one

This is not 'Terms of Endearment'. This film does not offer answers, explanations, or resolution, and as such I found it to be a very effective portrayal of the aftermath of a suicide. It's not an enjoyable film to watch, but it's very much worthwhile. First off, the acting is fantastic. Philip Seymour Hoffman deserves all the raves he's getting for this role -- he's downright painful to watch. All of the supporting cast -- except for the mother-in-law portrayed by Kathy Bates, who is exhausted with her own grief -- brilliantly introduces nuances of discomfort. It's not overdone, but it's obvious that these characters are internally dealing with the question of how to deal with Hoffman's character Wilson, who has just suffered this terrible and shocking loss. The dialogue is consistently and realistically not natural, in keeping with the awkward position of the supporting characters and Wilson's deteriorating mental health. I have seen this film criticized because Wilson's position is *so* dreary, that it may seem over-the-top, unrealistic. But, really, the character's wife recently shot herself. What bright spots were such critics expecting in this character's life at this time? I believe the writing of the plot is realistic in this regard. Structurally, it's brave, risky, and effective. I felt alienated by the lack of explanation and resolution of Wilson's position. Not a positive emotion to walk out of a film with, but extremely powerful. The sparse soundtrack and the painfully sympathetic supporting characters all added to this feeling of alienation.

Reviewed by nycritic 6 / 10 / 10

Love Liza

There are some people who, despite the tragedy which befalls them, are able to move on with their lives without letting the pain become so all-consuming as to stop all conscious action. There are others, however, for whom loss and pain become synonymous of living in a state of arrested development that eventually spins out of control. This is the case of Wilson Joel (Philip Seymour Hoffman) who, after his wife Liza has killed herself, sees little reason to go on with his life and eventually stops going to work to nurture a growing addiction to gasoline. At 89 minutes, LOVE LIZA tries to tell an honest story of a man unable to pick himself up and move on, but because the man in question isn't quite sympathetic and scenes wander without an apparent purpose it seems a little too long, and when a crucial confrontation scene with his mother-in-law (Kathy Bates) arrives, it feels very belated and we understand that Wilson may not return to his former life. Too depressing at times, this is only for indie aficionados.

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