Malina

Drama / Fantasy / Mystery / Romance

73
IMDb Rating 6.4 10 445

Synopsis


Downloaded times
January 12, 2021

Cast

720p.BLU 1080p.BLU
1.13 GB
1280*720
French 2.0
NR
23.976 fps
125 min
P/S N/A / N/A
2.1 GB
1920×1080
French 2.0
NR
23.976 fps
125 min
P/S N/A / N/A

Movie Reviews

Reviewed by JustApt 10 / 10 / 10

Adrift in Consciousness

Malina is incredibly complex drama on the nature of insanity and to watch it, especially in the beginning, is quite a labour. A woman believes that she is a writer and all her men are fruits of her ill consciousness or personages of her unwritten book or alter egos of her split imagination. And episode after episode her consciousness keeps deteriorating more and more but the end breaks everything once again so all that was happening comes up in absolutely different light and changes its meaning. Malina is an anagram of 'animal' and it isn't accidental but symbolic to the entire surrealistic content of the film. Malina is unique and utterly fabulous movie having many layers of narration and visualization.

Reviewed by shane-d-anderson 10 / 10 / 10

Matthew Barney's Predecesor

+: the last scene where she disappears into the wall is the only redeeming quality of this movie. it's amazingly beautiful. -: I've read the book, the screenplay and now I've approached the film. I see a clear line of delineation in the quality. Malina the book is a masterpiece, Malina the screenplay is more like reading over Jelinek's shoulder as she tries to read and interpret and add her own problems to Bachmann. And then this film? First of all, it's over intellectual to the point where it makes no difference what's going on, what's being shown, what's being said or how these are supposed to relate. There's reference stacked on top of nauseating reference -which can be OK, but here it adds up to nothing. The insertion of the Bachmann myth only makes it seem more like a novelty piece than a film that's really trying to say something. The pace of the film is awful, the messe en scene is uninventive and the performance, to my dismay, is flat. Another problem: she's 'crazy' from the very beginning. We see only one scene where she can hold her own, but that misses the whole point of both the book and the screen play: that the linguistic problem is at the root of the problem. It's hard to explain much more in such a small format, but I had to write this to warn anyone who also loved the book and decided to see the film version out of love. Approach it with curiosity, but don't expect much from this wanna be art film. Oh, and the whole flame thing? It's been done. Nice try trying to use a 'symbol' which expands upon nothing (other than the Bachmann myth).

Reviewed by think_7 10 / 10 / 10

A thrilling performance by Isabelle Huppert of a dual personality

Malina, the key character of this psychological enigma, is the strong rational part of a fragile personality, which splits also in a passionate female character, played by Isabelle Huppert, both actually symbolic figures of a single personality. The story describes, in a thrilling performance of the dual actors, a disastrous love affair, where love substitutes the reason of being and in spacial reflections of her childhood and parents, unfolds the puzzle of authenticitation in a passionate relationship. Symbolic behavioral patterns are the driving elements of this movie by a german director, but in perfect line with classic French movies, e.g. by Claude Chabrol.

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