Mildred Pierce


Crime / Drama / Film-Noir / Mystery / Romance

Rotten Tomatoes Critics - Certified Fresh 86%
Rotten Tomatoes Audience - Upright 90%
IMDb Rating 8 10 20


Downloaded times
December 8, 2019



Ann Blyth as Dorothy Benjamin
Eve Arden as Vivian Martin
Joan Crawford as Monica Rivers
720p.BLU 1080p.BLU
947.4 MB
23.976 fps
111 min
P/S N/A / N/A
1.7 GB
23.976 fps
111 min
P/S N/A / N/A

Movie Reviews

Reviewed by CMUltra 7 / 10 / 10

Excellent characters, excellent story

Excellent, riveting story. I watched it on DVD (not having been alive to see the theatrical run) and did not pause once for refreshments or breaks. If a movie can captivate you start to finish, immersing you to the extent that you do not want to break the spell, then it is excellent film-making. I believe it is misclassified. Mildred Pierce did not really strike me as Film Noir. That may be because I went into it expecting Film Noir and, while some of the genre elements are present, it really never stayed in that territory. Mildred Pierce is very much a simple character study, almost a biopic. It starts and ends addressing a murder, and Mildred's flashbacks occur while she's at the police station, but that's pretty much the extent of the Film Noir influence. Instead the movie focuses on who Mildred is and how she became that way. At the time of the murder she is an accomplished and successful businesswoman. She did not start out that way and the movie traces her life path at a steady and interesting pace. Joan Crawford is… well, she's Joan Crawford in the title role. The only flaw I can find in the movie is that Joan has difficulty expressing vulnerability. She looks so imperious and so strong that it is sometimes tricky to accept that her character is so downtrodden. One cannot completely excuse Joan for this either as, even when Mildred is a single mom of two daughters, desperately broke, she still wears clothes that look far above her particular station. This was always a signature quirk of Crawford's where she was loathe to appear in public looking anything less than the glamorous movie star and, likewise, did not want to appear unattractive in her movies. Compare this to Bette Davis or more recently Charlize Theron (in "Monster"), two actresses who happily "uglied" themselves for certain roles. That is a rather negative tangent though and I should state that this aspect of Joan's presentation of Mildred was, to me, a minor flaw. Overall she was solid throughout, demonstrating quiet dignity when faced with challenges, unwanted advances and even heartbreak. Her two moments of rage were presented in an authentic contrast. So, Crawford delighted this viewer and I cannot imagine anyone else in the role. The supporting cast was excellent as well. Jack Carson (one of my favorite character actors) shined as the wolfish friend who really treated her better than either husband. Zachary Scott was so authentic as the lazy, formerly rich hanger-on both in acting and appearance that he was almost a caricature. Eve Arden's role was smaller but it contained plenty of her famous sarcastic wit. Bruce Bennett was the weak link in the cast but, to his defense, his character of Bert didn't really have much to do other than be a catalyst for Mildred's success in the early part, and then a mildly sympathetic shoulder in the later. The best performance possibly goes to Ann Blyth as the hateful daughter Veda. Blyth played Veda as porcelain, untouchable and wholly uncompassionate. Veda barely bothered to hide her contempt from her love-blind mother and feigned sadness or remorse when the situation demanded it. She was unapologetic to the end. A fascinating portrayal. Highly recommended if you have an opportunity to see it. Like a novel, the movie is best viewed in an otherwise quiet, dark environment so that it can be afforded full focus.

Reviewed by lastliberal-853-253708 8 / 10 / 10

Personally, Veda's convinced me that alligators have the right idea. They eat their young.

Six shots fired and a man falls down dead. Shortly thereafter, we meet a desperate Mildred Pierce who walks along the streets of the night. After a policeman prevented her from jumping into the river, she ends up at a bar where an old acquaintance flirts uncontrollably. They go to her house on the beach, from Mildred suddenly quickly departs. It turns out that it was in this house that the man was shot and soon the police on the spot. During interrogation begins the story of what led up to that fateful night. Mildred tells how she differs from her husband, working upward as a business woman and how she is willing to do absolutely everything to their already spoiled daughter Veda. Mildred Pierce literally sparkles. Director Michael Curtiz, probably best known for Casablanca, knows how to get the luxurious feel of a grand noir drama. Elegant small transitions, meticulous and dramatic lighting applications, all in classic Hollywood manner, where nothing is left to chance. The dialog is fabulous. Mildred's right hand Ida is so cool, with the hatching of witty one-liners. Even the ever-swarming Wally Fay is constantly exciting to listen to. The story in itself is exciting, where you always know roughly how it will end, but not why or what role some of the characters will play. The characters are the driving force. It's about Mildred's efforts to give their daughters the life she had wanted, although it also means she does not listen to what they really want. Then there is a former spouse who is living his new life in the periphery, the friend who is helpful, but not without being sure to reap the rewards of Mildred's success and even a new one that might not be what he appears to be. Crawford got a well-deserved Oscar for this film.

Reviewed by Lechuguilla 8 / 10 / 10

Joan Crawford's Signature Role

With those broad shoulders, those wall-to-wall eyebrows, that steely look on her face, and wrapped in those expensive clothes, the inimitable Joan Crawford exudes glamour and resolve as famed Mildred Pierce, housewife turned businesswoman, in this Michael Curtiz-directed film, part mystery, part melodrama. The film's story, told in flashbacks, begins with mystery, and it is helped along by terrific B&W lighting. Most of the rest of the story is sheer melodrama, with talky dialogue that erupts from confrontations between various characters. The most important confrontations occur between Mildred and her ungrateful, scheming daughter Veda, who requires tons of money to be happy. As the story moves along, Mildred buys and successfully operates a restaurant, but it's not enough to win approval from her odious daughter. Mildred's love for Veda is deep. But Mildred, we learn, is also a take-charge woman who won't take any guff from anyone, at least from caddy suitors or prospective in-laws. It's a great story. And in addition to the topnotch cinematography, the film has great production design, costumes, and editing. We're also treated to some pleasantly nostalgic music from the 1940s. Crawford gets good support performances from Ann Blyth, Eve Arden, and Jack Carson. I also liked Butterfly McQueen, the little lady with the high-pitched voice who plays Mildred's maid. I suspect this film would have been worthy of praise, even with someone else playing the title character; the film is that good. But no other actress would have had the stage presence of the impressive Joan Crawford. It's mostly because of her that "Mildred Pierce" will be remembered and loved, for generations to come. It's also partly because of "Mildred Pierce" that Joan Crawford will be admired as a Hollywood legend, for generations to come.

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