Psycho II

67
IMDb Rating 6.5 10 20

Synopsis


Downloaded 29,563 times
April 29, 2019

Cast

Anthony Perkins as Josef K.
Meg Tilly as Julie Wells
Robert Loggia as Philip Marquand
Vera Miles as Mrs. Lee Kirby
720p.BLU 1080p.BLU
815.62 MB
1280*720
English
NR
23.976 fps
113 min
P/S N/A / N/A
1.65 GB
1920×1080
English
NR
23.976 fps
113 min
P/S N/A / N/A

Movie Reviews

Reviewed by ma-cortes 6 / 10 / 10

Intelligent follow-up to the classic film with a sensational Perkins

Picture talks about Norman Bates (Anthony Perkins) who has finally been released from the mental asylum where he has been for many years . But he's chased by mistress Loomis (Vera Miles), sister of Marion (Janet Leigh) Crane (murdered previously in the shower). His preceptor doctor (Robert Loggia) will help him for the return . He goes back to the Bates motel and the mansion and the assassinations begin happening again . Meanwhile , he meets an enticing Young (Meg Tilly) who's invited to stay at home . The doctor (Loggia) will try to solve the awful and ominous killings . The movie is plenty of grisly murders , stabbing shots , horror , suspense , shocks and great load of blood and gore but also a little of dark humor . It's a sequel to Hitchcock's classic continuing cleverly the plot (scripted by Tom Holland) of the former film . In 1960, psychosis (1960) made over 32 million dollars in worldwide box office returns where as this film made over 34 million dollars . The original house set was used and the motel was reconstructed . The killer/Perkins does an authentic slaughter and are utilized in the gruesome and creepy murders axe , knife , cleaver until the amazing final carnage . The motion picture was rated ¨R¨ for crude and brutal killings and scabrous violence and isn't apt for squeamish but abounds blood and guts . Anthony Perkins makes a terrific acting in his classic role . He'll be forever Norman Bates . Jerry Goldsmith music is good , but he copies to Bernard Herrmann classic score . Dean Cundey cinematography is excellent . The film , shot in 32 days , was well directed by Richard Franklyn who has made various fine terror movies (Patrick , road games , visitors) .

Reviewed by DarthVoorhees 7 / 10 / 10

As far as blatantly unnecessary sequels go this isn't just good it's great...

Alfred Hitchcock's 'Psycho' is a classic piece of cinema. It has become one of the defining iconic pieces of film that is heralded as a holy grail. What I admire about it is it's simplicity and the audacity it has to create a bizarre character like Norman Bates. I can only imagine what audiences must have thought going into that film because the implications of such a character for an audience coming out of the conservative fifties must have been truly unsettling. What makes Norman such a great character is how clear the divide is between Mother and Norman. Norman is a likable guy. Anthony Perkins does not scream psychopath, he could just as easily be your friend or neighbor. There is a large chunk of Psycho were we even are encouraged to identify with Norman and I imagine that is what made the film so endearing to 60's audiences. Flash forward twenty years to 'Psycho II'. Norman's secret is out of the bag and you don't even need to see 'Psycho' to know it. 'Psycho II' was released in the sea of Freddy Krueger wanna be's and going into 'Psycho II' I expected something along those lines. I put off seeing it as sort of an exercise in film snobbery as I thought the attempt to do a sequel should be shunned. I feared Norman Bates would be turned into a Freddy Krueger. That isn't to say I don't like Freddy Krueger I just saw 'Psycho' as above it. This may have been my great mistake in looking at the film. Hitchcock probably wasn't setting out to make a Holy Grail with 'Psycho' and Robert Bloch's initial novel was nothing more than a dime story scandal novel. It makes perfect sense taking Norman Bates and putting him in the culture he created. I expected Norman to wield a knife with no motive other than shock value and going in with little knowledge of the film I was pleasantly surprised to see that the film does not take this approach, in fact it violently rejects it as it's main arc. Norman Bates wants to be cured and turn over a new leaf and surprisingly the audience wants him to too. Norman is our hero here. Anthony Perkins gives an absolutely wonderful performance as Norman Bates. The character is multi-dimensional and has grown since the last film. Perkins plays up all of Norman's good qualities, he is a polite and kind man with a horrible alter ego. We see that the last thing Norman wants in the world is to become Mother again. In a way 'Psycho II' is kind of a tragic film. With Norman we see an addict whose addiction completely dominated his life. In 'Psycho II' he starts off clean and sober but slowly he begins to relapse and we can't help but feel sorry for him. Perkins brings Norman to low points. He becomes absolutely pathetic and powerless by the climax of the film and we feel for him because Perkins shows that Norman has genuinely tried to overcome the demons in his closet. There are grisly killings in 'Psycho II' and I expected them. 'Psycho II' feels like an 80's slasher when the bodies start littering the screen. Frankly, this is the least interesting aspect of the film. 'Psycho II' is a character study and the murders merely serve to mess with Norman's sanity. It doesn't matter who the killer really ends up being in 'Psycho II' because we know it is not Norman. One thing that really strikes me about the original 'Psycho' and indeed any good horror film is that it is not the monster that we fear but the presence around the monster. 'Psycho II' is all about presence. 'Mother' is an entity. I would be perfectly fine with 'Psycho II' if all the killings took place in Norman's imagination because the weight of the violence is so strong. Stylistically, the killings have more in common with a Friday the 13th film than Hitchcock but what matters is this isn't a film with a body count for the sake of having one. The film isn't really completely about Norman however. 'Psycho II' does a very good job in showing how the community and Norman's victims were affected by what he did. The plot involved Lila Loomis and her daughter Mary is pitch perfect. Bringing back Vera Miles was a wonderful choice as her character has become just as disturbed as Norman. And really what reaction does someone have to such grisly events? No one has any faith in Norman to come back from the depths of insanity and it really is symbolical of 'Psycho' and it's slasher clones. By the end of 'Psycho II' Norman is back for good and it is satisfying to see the cost it has on the character and the fruitless battle he put up to save himself from this fate.

Reviewed by TheLittleSongbird 7 / 10 / 10

Norman Bates is back!

The 1960 'Psycho' is one of Alfred Hitchcock's greatest films and while it is high up in my list of "scariest films of all time" it doesn't stop it from being a personal favourite. Mainly for the cinematography, Hitchcock's direction, the music score and Anthony Perkins. Hearing that 'Psycho' had three sequels, my immediate reaction was what's the point especially considering the fiasco that was the 1998 remake. It did strike me initially that 'Psycho' was perfect as it was and didn't need a sequel, let alone three as well as a telefilm spin-off and remake. The first sequel, finally getting round to watching the sequels after a little arm twisting, turned out to be surprisingly good. Not just being a worthy follow-up but also a well above average film in its own way. Is it as good as Hitchcock's film? Not a chance, not as scary or as suspenseful. But considering that expectations were dubious 'Psycho II' was so much better than expected. 'Psycho II' starts to drag ever so slightly towards the end and occasionally feels a touch over-plotted. Sadly too the ending is ridiculous and undermines the actually very neat execution of the rest of the film. On the other hand, 'Psycho II' boasts some very stylish and moody cinematography and the setting is still eerie even in colour. Jerry Goldsmith proves himself to be a more than worthy successor to Bernard Hermann, enormous shoes to fill considering Hermann's score in the 1960 film is one of the most iconic chilling music scores in cinema. Goldsmith's score here is lush and ominously haunting without ever intruding. Franklin directs beautifully, having a real knack for creating a creepy atmosphere and suspenseful touch, not quite the unequalled Hitchcockian touch but it is the closest the sequels ever get to having anything resembling it. The script is clever and taut with some touches of darkly wicked humour, while the story is on the most part very neatly paced, highly atmospheric and always coherent with some very imaginative twists. As for the performances, they are also strong. Anthony Perkins returns in his most iconic role and proves that only one person can play this character. Meg Tilly and Vera Miles are very credible too while Dennis Franz and Robert Loggia provide some necessary grit. In summary, surprisingly good and worthy first sequel to a classic. Doesn't disgrace it at all. 7/10 Bethany Cox

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