That Most Important Thing: Love


Drama / Romance

IMDb Rating 7.2 10 3


Downloaded times
May 16, 2021


Klaus Kinski as Le motard
Romy Schneider as La vedette
Sybil Danning as Lili Anders
720p.BLU 1080p.BLU
1.01 GB
fre 2.0
23.976 fps
109 min
P/S N/A / N/A
1.88 GB
fre 2.0
23.976 fps
109 min
P/S N/A / N/A

Movie Reviews

Reviewed by audrius-darguzis 10 / 10 / 10

Love is pain.

A very simple, and (thus) extremely powerful film. And, sadly, underrated. It's a mind-opening experience. It doesn't say anything new or different on the subject, its simplicity and consistence shows loud and clear is nothing but pain, but it's the only thing worth fighting (living; feeling pain) for; the only thing that sets you free. When Schneider's personage finds an earlier repulsive photograph dying in his desolated apartment you get to feel that now she cannot not love him... A very sincere, believable, touching film resembling real life and real love. Every actor's work is praise-worth, and worth the film's title. They knew what each of them were talking about. And no wonder Kinski took part in this. (The mood of this film is somehow similar to Last Tango in Paris.) You can almost feel wounded along with these 'people' that are being thrashed by love.

Reviewed by fagerard 9 / 10 / 10

Watch this underrated masterpiece of the 70s

Romy Schneider was absolutely right to consider this film as her major professional achievement. Thanks to Christopher Franck's remarkable adaptation from his own awarded novel LA NUIT AMERICAINE (not to be mistaken with Truffaut's well-known DAY FOR NIGHT) and to Georges Delerue's haunting soundtrack, Zulawski is here at his paramount, because his usual romantic excesses perfectly fit this time the subject. As for the cast, all the actors have never been so right in the part they've been chosen for : from Fabio Testi to Jacques Dutronc, from Klaus Kinsky to Claude Dauphin, not to mention Michel Robin. The scene in the bar, just after the theatrical premiere of Shakespeare's RICHARD III, when the whole crew reads the articles dedicated to their play, almost looks like a mirror of Zulawski himself, as most of his works have been misunderstood, if not definitely "killed" by the critics. if you happen to belong to the happy few who sincerely praise L'IMPORTANT C'EST D'AIMER, try to see some day the films that writer Christopher Franck personally directed from other novels of his about the same bohemian milieu, specially JOSEPHA, featuring Miou Miou & Claude Brasseur.

Reviewed by PoppyTransfusion 9 / 10 / 10

Man is "the ugliest things he can do" (spoilers)

I thought that Pasolini's film "Salò o le 120 Diornate di Sodoma" was the best portrait of depravity I would see but this film exceeds "Salo". It is entitled "The Important Thing is to Love" because love is the sole good thing one can do amidst a world of utter ugliness where the sum of a man is "the ugliest things he can do". Żuławski has created a film replete with sadness, melancholy, grief and misery and it is crafted so well that it is dazzling and, at times, beautiful. He is well assisted by his cast of actors, including his three beautiful leads, and the film's composer Georges Delerue, whose signature tune haunts the film as a discordant plaint. The film depicts the relationship of a married couple to a man who becomes infatuated with the wife. They share the world of acting, film and pornography and each is a 'prostitute' in their own way. The husband, Jacques, is suicidally depressed and finds himself outside of life and not willing to enter life and engage. His wife, Nadine, is a broken personality who feels that Jacques saved her and she desires an acting career whilst making money as a porn star. Servais is a loner with a broken father; he has become involved with a porn/sex wheeler dealer, Mazelli, who is a gangster of sorts. All yearn to break free from the world they inhabit and Servais's plan, paying to have Nadine cast as Lady Anne in an adaptation of Shakespeare's "Richard III", seems a possible means of release. Like Richard III, the film's characters are somewhat deformed yet they are less ugly in their deformities than the superficially glamorous world they inhabit. Of course Servais's plan fails. Words attributed to Rimbaud, which are the final words of Servais's late friend who died from liver failure, capture the tormented pains of the characters: "Turmoil originated your poetry/ Immense forces served you/ Your entrails burst, death menaces/ Chosen City!/ Consume your shrieks In the deaf trumpet." The film's themes seem clearer than the characters and their dense opaqueness. It is a series of brief, fast changing scenes that I found jarring, perhaps the intent to underline discord and distress. It is like one long howl. It is powerful and almost perfect.

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