The Kid

Rotten Tomatoes Critics - Certified Fresh 100%
Rotten Tomatoes Audience - Upright 96%
IMDb Rating 8.3 10 94


Downloaded 133,805 times
April 11, 2019


Charles Chaplin as Immigrant
Jackie Coogan as The Kid in 'The Kid'
Lew Parker as Extra in Heaven Scene
720p.BLU 1080p.BLU
300.93 MB
23.976 fps
68 min
P/S N/A / N/A
859.43 MB
23.976 fps
68 min
P/S N/A / N/A

Movie Reviews

Reviewed by samuelhfrans 8 / 10 / 10

The Kid

I will begin this review by giving a brief plot summary so you, the reader, have an impression of the goings on in the film if you haven't yet seen it. The film begins with a mother and her infant child. Very early on in the film the mother decides that she simply cannot care for the child, so she abandons it in the rear seat of an unoccupied car. The unoccupied car then because the partially unoccupied car and is subsequently stolen by car thieves. The thieves eventually take notice of the small child in the back seat and, in turn, they abandon it themselves in an alleyway. In this alley is where the iconic figure of Charlie Chaplin's Tramp character is presented and he eventually finds that he will have to be the one to care for the infant. Time lapses five years into the future and we find Chaplin and the child, which can now more accurately be referred to as a "kid", living together in a raggedy one bedroomed apartment. Chaplin's tramp is clearly presented as a surrogate father figure for the kid, and the two of them appear to coexist in a relationship that is both playful and loving. The rest of the movie unfolds after the stage is set as I just did for you. It is mostly instances of how the two paupers have to swindle there way into sources of income, and the misadventures that come along with it. The film was released in the year 1921. Releasing a film in this time period could be considered overly restricting by some individuals, considering that "talkies" had yet to be a staple of the medium. However, Chaplin absolutely encapsulates the melodrama of the story and expertly enables the story to be told through movement and design, rather than through dialogue. Chaplin's tramp character is the iconic image of Charlie Chaplin that everybody knows even if they have never seen one of his movies. Every aspect of the character from his attire (bowler hat, cane, small waist coat, large trousers and shoes) to his over exaggerated gestures make for an expressive performance that is both memorable and inevitably iconic. It is worth noting the charismatic performance of the kid as well. He is an excited young man that is clearly enjoying himself in the filmmaking process, and his relationship with Chaplin is quite endearing. The Kid is an exciting display of creativity that translates into iconic film. A scene that stands out is one in which Chaplin's tramp character is being chased along rooftops by a police officer, and another would be a dream sequence where characters throughout the streets have angel wings that can be purchased at a corner store. It is worth noting the impression that this film must have made upon audiences when it was first released. Even in modern times it comes across and a piece of utterly unique cinema, which is a testament to the acting and filmmaking genius that Charlie Chaplin had. I cannot recommend this movie enough to anyone that is interested in the history and progression of filmmaking as an art, or anyone that wants to lose themselves in a charming story about a man and his kid.

Reviewed by OnlyNick 10 / 10 / 10

There Is Still Magic To See

The Kid, in short, is about The Tramp's exploits as a father figure to an orphaned boy that he first tries to get rid of. What I think about The Kid is mostly good. The Tramp is, of course, Charlie Chaplin, one of the biggest movie stars of the time. The film is touted as being "6 reels of joy" in 1920's parlance. Today, it would be known more as a "film for the whole family" (rarely is a movie presented on film reels nowadays). Out for a stroll one day, The Tramp spots a baby that is nearly hurt by some debris being thrown out of a window. The Tramp rescues the boy but then tries his best to unload the child anywhere he can, however an annoying, seemingly omnipresent flat-foot quashes any ideas that come to mind. So, The Tramp takes in the boy and raises the child as his own after reading a note the mother left tucked inside his nappy. We play witness to The Tramp trying his best to raise the boy while still being a virtual vagabond. He teaches The Kid the family business and other nefarious undertakings they need to survive this cruel world. Hilarity ensues. I'm always amazed at how silent film actors can get their message across without a voice to carry it. This movie has a newly-scored background, and only a few title cards to help the viewer understand where it's at. It's all enjoyable acting to watch, even if it's mostly slapstick humor we're laughing at. Jackie Coogan, billed as The Child, is The Kid of whom we're speaking. He really is quite adorable and can surprisingly act. Overall, this is a pleasant family film, and most will enjoy it. Maybe even your own kid will like it. Two things you'll LIKE: 1) It's simple in its presentation, but still magical in a sense. Special effects, 1920's style! 2) It's the perfect length. Two things you'll DISLIKE: 1) After years of watching widescreen, HD and 4K films having never seen a single foot of actual film, the 1.37:1 aspect ratio (think of a square), and not clear-as-crystal 35mm film, may be jarring to watch at first. 2) Slapstick comedy: does it still work?

Reviewed by framptonhollis 10 / 10 / 10

a an iconic comic drama for the ages

Today, Charlie Chaplin is known primarily and exclusively for his silent, slapstick humor, but one mustn't forget that he was also a master at tearjerking drama. The Kid is perhaps the finest example of the classic comedy master's ability to tug at our heartstrings. The Kid is a film that is only about sixty minutes in length, and yet it has far more dramatic impact than most films that are twice as long! Although I seem to only be acknowledging the film's more emotional qualities, there is also no doubting that The Kid is also an extremely funny movie, possibly even among the funniest films ever made. Even within this tale of melancholy, Chaplin is able to inject some of his most clever and creative slapstick routines. With the help of child co star Jackie Coogan, Chaplin is able to get laughs that will please almost anyone's sense of humor, from the infantile to the elderly. Jack Coogan in particular has surprisingly solid comedic ability and timing, despite his obvious young age. The image of Chaplin picking up Coogan by his overalls as Coogan is in the midst of a fight is just precious, because of Coogan's reluctance to stop fighting. Instead of calming down and succumbing to his father's orders, he wiggles around vigorously, throwing out useless punches and kicks. Chaplin's ability to fairly balance extreme emotions is the stuff of cinematic legend. As the famous title card so accurately describes: The Kid is "A picture with a smile-and perhaps, a tear."

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