The Life and Death of Colonel Blimp

Drama / Romance / War

Rotten Tomatoes Critics - Certified Fresh 96%
Rotten Tomatoes Audience - Upright 91%
IMDb Rating 8.1 10 12


Downloaded times
August 26, 2020



Deborah Kerr as Miss Giddens
John Laurie as Taxi Driver
Patrick Macnee as Capt. Good R.N.
720p.BLU 1080p.BLU
1.47 GB
English 2.0
23.976 fps
163 min
P/S N/A / N/A
2.73 GB
English 2.0
23.976 fps
163 min
P/S N/A / N/A

Movie Reviews

Reviewed by nigel-lillywhite 8 / 10 / 10

This was a propaganda effort. I think Churchill was wrong.

I watched this film again yesterday, accompanied by my Hungarian born wife. We are both 76. We both lived through the war on opposite sides. Remember that in 1942, when making it started, Britain was still in the beginning stages of achieving the upper hand in the war. Propaganda was still a necessary weapon. Hence the speeches delivered by Anton Walbrook. Yes, there was a point made about old-fashioned attitudes which did exist. Those who criticise the film as being boring, out of date, etc are possibly overwhelmed by more modern techniques of script writing, special effects, CGI, large forces of extras and the like. These were simply not available in war torn Britain. Even the possibility to use Technicolor was quite extraordinary to cinema goers of that time. Look carefully at the backdrops - many exteriors seen through windows are painted. This was a minor masterpiece made under difficult circumstances. My wife, seeing it for the first time, found it excellent.

Reviewed by chua 9 / 10 / 10

pacy, breathless brilliance since unparalleled on the big screen

Neither war films nor romances rate amongst my favourite film genres. Colonel Blimp is both of these and has to rate as my runaway favourite film. Made in 1943 by the irreplaceable icons of British film making Powell and Pressburger it displays a pacy breathless brilliance since unparalleled on the big screen. The film follows the life and times of General Wynne-Candy from when he is an idealistic young officer returned on leave from the Boer War through to his retirement as an anachronistic and obdurate Major General. The film is structured in three acts set in the aftermath of the Boer War, the first world war and the present (at the time of making the film) the height of the 2nd World War. But it is not just an examination of these conflicts. Its real power lies in Candy's pursuit of his ideal woman throughout each of these stages. All three women are played beautifully by Deborah Kerr who never surpassed the power of her performance in this film. The other constant in the film is Anton Wallbrooks character of the sympathetic German with whom Candy builds a lifelong friendship and ultimately is probably Candy's only ever really satisfying relationship throughout his life. For me the film operates on many complex levels. The romantic element is as affecting as anything you are likely to witness in the cinema. It achieves everything in the unrequited love department a la "the remains of the day" in a fraction of the time and as only part of the overall plot. It deals with the moral complexities of war in a way that will have you debating the issues in your mind long after you have seen the film. This particular theme reaches its climax towards the end of the film when Candy is "retired" by the war ministry probably as a result of his outdated approach to strategy for the 2nd World War. Anton Wallbrook then delivers a setpiece speech which starkly outlines the evils of Nazism and the necessity to use any means to defeat it for the sake of freedom and humanity for coming generations. Colonel Blimp with its pristine performances, absorbing plot, dazzling colour photography and economic flawless script easily gives Citizen Kane a good run for its money as the best film of all time.

Reviewed by kayester 9 / 10 / 10

This movie should live on forever.

Once in a while, I see a film I wished I'd seen before. This movie is one of those. It was a complete and total surprise. I'd heard of it, but never anything definitive. It is simply one of the greatest films I ever saw. From the first shot to the closing credits, it was wonderfully acted, beautifully photographed, and superbly directed. Everything worked: the music was effective, the costumes and makeup were perfect. Roger Livesay and Deborah Kerr, in particular, shone beautifully. There was a chemistry between them that was especially magical during the early years. Livesay aged well, not just in the way he looked, but in the way he acted. He gave the impression that as an actor, he understood that generals always fight the previous war, and his General Candy felt, by films end, exactly that sort of general. I recommend this movie without qualification to anyone who appreciates the art of moviemaking, and the pleasures of watching.

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