The Living Dead Man



IMDb Rating 7.1 10 377


Downloaded times
December 18, 2021


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1.6 GB
No linguistic content 2.0
23.976 fps
170 min
P/S N/A / N/A
2.97 GB
No linguistic content 2.0
23.976 fps
170 min
P/S N/A / N/A

Movie Reviews

Reviewed by MartinHafer 7 / 10 / 10

I like long films but this one would have been greatly improved by shortening it.

"The Living Dead Man" is an incredibly long movie--clocking in at almost three hours. Now I am not against long films--many of my favorite films are this long or longer. However, the story doesn't seem to justify the length and several times irrelevant subplots could have been eliminated in order to tighten the story. In addition, at some times the leading man (Ivan Mozzhukhin) was great but at other times he stared off into space as if to say 'I'm trying to be artsy, folks'! However, despite these problems, the film is worth seeing--particularly for silent film buffs. Mathias' life sucks. His family has lost their fortune, his mother-in-law who lives with him is Satan and his wife has slowly started to become just like her mother. To top it off, he ends up losing his mother and daughter on the same day!! Truly his life stinks. All this took an hour to tell--but could have been done so, easily, in half this time. On a lark, Mathias takes a trip to Monte Carlo. There, he's insanely lucky and wins a fortune. As he's returning home, he reads a newspaper--only to discover he's been declared dead! Some poor guy's body washed ashore and folks thought it was Mathias! Now, the idea of starting a new life without his nasty wife and mother-in-law dawns on him and he moves to Rome. So far, so good, but the film bogs down on a needless plot involving spiritualist thieves. Where all of it goes from here, you can see for yourself. But my advice is to perhaps hit the fast-forward button in places--it really needed it. But, despite this, the film still manages to get a recommendation from me. Good but it could have been a lot better. By the way, this film has an incredible multinational cast--with Russians, Americans, Frenchmen and a soon-to-be famous Swiss actor, Michel Simon. Such casts were not easy to create once talking pictures came into vogue.

Reviewed by dbdumonteil 4 / 10 / 10

The talented Mister Pascal.

Marcel Lherbier,like his colleague Abel Gance ,made his most celebrated and acclaimed films in the silent era.Among all his talkies,only " La Nuit Fantastique" can be really looked upon as a classic. "Feu Mathias Pascal " is a curious film ,depicting a character whose only wish in life is freedom. First part depicts his family life ,with his sweet mother,his wife whose love will not last long and his mother-in-law,a shrew.It contains great scenes such as the depiction of the old library where rats come to nibble at the books.Although it's a PIrandello-inspired story,the scene when Mathias puts his dead baby into her dead mom's hands is Dickensian:it recalls this end of chapter when David Copperfield says farewell to her mother Clara Murstone they lay in her grave with his half brother in her arms. The weak part of the story is the short transitions between the two parts which takes place in the casinos of Monte Carlo,a place best depicted in Erich Von Stroheim's "Foolish wives" (1921). The second part could be subtitled "the liberty years" :On his way home,Mathias reads the newspapers and discovers that"his dead body was found" .So he come back to Rome,where he has not got an identity anymore .This second segment often verges on fantasy and horror with a séance in the dark,and the "ghost" who scares the hero's in-law. The ending when the hero visits his grave is the definitive step to freedom.The last picture is Chaplinesque. Michel Simon makes two appearances as the hero's good friend who marries his wife when they all believe he is dead.

Reviewed by gbill-74877 4 / 10 / 10

Only for the hardcore (and very patient) silent film buff

Oof. At 3 hours, this film is far too long for its pace, which plods along slowly in the first half especially. There are entire scenes which are unnecessary, starting with the very first, which has Pascal's mother being taken advantage in selling her estate, which is a waste of about 15 minutes. Another example is a scene of mice and cats in the library, which is just silly. These things take away from and delay considerably the main story - Mathias Pascal's feeling of claustrophobia in his marriage leading him to 'run away from it all', helped along by the belief others have that he's died (hence 'The Late Mathias Pascal'). The film occasionally feels like an experimental project, with attempts to dabble in humor, romance, and surrealism at various points, but missing holistic vision. There are certainly some nice moments. I loved seeing Pascal in Rome at various sites (the Spanish Steps, Trevi Fountain, and Ponte Sant'Angelo among others), the gambling scenes in Monte Carlo, and some of the outdoor scenes, such as those along the train tracks. Director Marcel L'Herbier utilizes techniques such as overlays and slow motion which were 'state of the art' at the time. Unfortunately there as many bad examples of filmmaking. Far too often we see tight shots of Ivan Mozzhukhin's face, who is reasonably good in the role, but has limited range, so we see the same dramatic expression over and over. The editing was also poor, so that we see moments repeated slightly or not fit together seamlessly. Only for the hardcore (and very patient) silent film buff.

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